Since the 1970s, abounding French artist Philippe Starck has produced aggregate from interiors, furniture, and appearance to kitchen utensils, motorcycles, and food. Starck uses his biggy aptitude to actualize designs that are, in turn, whimsical, witty, ironic, subversive, and incendiary, but never absolutely functional. In fact, his best-known design, the Juicy Salif Lemon Squeezer (1990)—a sculptural cast-aluminum juicer aggressive by the appearance of squid—barely works. Nevertheless, it has become an figure of postmodern automated design, of which Starck is a axial personality.
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