It came to Corey Taylor in a dream. As he dozed through the night afterwards a appearance on Slipknot’s best contempo European tour, the frontman’s academician played out an initially accustomed book that he had accomplished bags of times before: he was continuing onstage, arch a carol in advanced of a about bugged audience. No big deal, right? But afresh things got added “bizarre”. In this accurate vision, Corey wasn’t assuming with Slipknot, nor with his ‘other’ band, Stone Sour. He was there as a abandoned artist. Stranger still was the actuality that he was active through a clue that didn’t absolutely abide in absolute life, to a army who articulate forth and knew every distinct word.
“I woke up and was like, ‘What the fuck was that?!’” Corey chuckles today as he agilely capacity his post-dream reaction. Scrunching his face up into a abashed frown, his eyes bound bound larboard and right, as if he’s aggravating to assignment out a complicated maths equation. He remembers the clutter to get out of bed and address aggregate bottomward about this as-yet-untitled song, afore mapping out the music on an acoustic guitar. Corey afresh filmed himself presenting this somewhat rushed, aboriginal idea, and beatific the video to a accumulation of accompany and bandmates with whom he was – at some point in the abroad approaching – planning to almanac an album.
Fast-forward to now. This dream clue goes by the name Meine Lux, and will arise on Corey’s soon-to-be-released admission abandoned record, CMFT.
There are analogously accidental belief abaft abounding songs on the anthology (the appellation of which comes from an abridgement Corey was affectionately accustomed by accompany aback in school: “It was ‘CT’, and afresh it was, ‘C-mother-fucking-T’, and afresh it was just, ‘CMFT – whaddup!’” he jokes of how the appellation developed). As the frontman accidentally lounges about his Nevada home afterwards a animated morning of dad and bedmate duties, he reflects on three decades of songwriting that has all led up to this point. And that absolutely is no exaggeration: CMFT bliss off with the fired-up rock’n’roll of HWY 666, the aboriginal two verses of which he’d bound aback he was in 10th grade.
For years, the catechism of, ‘When are you activity to accomplish a abandoned album?’ has followed Corey around. The 46-year-old has been assuming shows beneath his own name aback 2009, accoutrement songs by his bands as able-bodied as some of the abounding artists he’s enjoyed as a constant fan of bedrock and metal, from Alice In Chains to Pearl Jam. But a arranged agenda amid Slipknot, Stone Sour, autograph books and the casual acting gig has evidently prevented one of the busiest men in music from anytime actuality able to accord a abandoned activity his abounding attention. As Corey began to assemble a “huge batch” of absolute that boasted an altogether altered “spirit” to that of his day job, though, he mentally jotted bottomward ‘2021’ as the year to assuredly put these pieces together.
And then, of course, COVID-19 struck. Finding himself with a broad amplitude of chargeless time afterwards Slipknot’s touring affairs were scrapped, he was hit by a lightbulb moment: get the abandoned anthology done now.
“I put the chat out, apparently about a ages afore we absolutely concluded up activity in [to the studio], because it aloof started as a chat with my manager,” Corey explains. “I said, ‘Well, maybe I should aloof do the anthology now.’ And he knew how acceptable the songs were, and he was like, ‘You apperceive what? There’s annihilation abroad activity on. Let’s aloof see if we can alike do it.’”
Making the best of a bad situation, then, and accompanying realising that he was now “gagging” to accomplish these account to tape, the frontman enlisted the advice of those pals he’d beatific Meine Lux to several months prior: guitarists Zach Throne and Stone Sour’s Christian Martucci, bassist Jason Christopher, and bagman Dustin Robert. Then, they began to codify a plan.
“It was tricky, because aggregate was closed, and we had to be smart,” Corey begins. “But I aloof told everybody to amusing ambit and apprehension for two weeks, and accomplish abiding that they were all acceptable and safe, healthy, everything. We abhorred any of the accouterment of COVID, and absolutely approved to accumulate ourselves from actuality apparent to annihilation like that.”
The bristles of them decamped to Kevin Churko’s Hideout flat in Las Vegas, recruiting ambassador Jay Ruston to advice realise Corey’s vision. And, beyond the amount of two-and-a-half-weeks, the bandage birthed a whopping 25 songs – the 13 that accomplish up CMFT, additional six covers and six acoustic versions of their aboriginal absolute to save as B-sides. All the while, they had an absolute blast.
“There were continued days, but it wasn’t backbreaking at all,” Corey smiles. “We all are such dorks that we were arise anniversary added up. There was no debate, we aloof knew what we capital to do and did it. I don’t appetite to say it was ‘fate’, because that’s not the appropriate word, but it was about kismet: it aloof fabricated faculty for this to be the way that it was. There’s an atomic activity to it that feels so infectious. It’s one of the best things I’ve ever done.”
An boilerplate day began with the guys rolling in to the flat about midday, bubbler coffee, blind out and “talking shit” for an hour or so first. Then, they’d alpha to jam to “knock the blight off”, afore arrest the absolute songs. They autonomous for a alive recording, with “99 per cent” of what you’ll apprehend on CMFT captured aloof as it was played. It was a loose, animated and, best importantly, adorning action that was badly benign to Corey and his bandmates.
“I adulation what I’ve done in the past, I adulation the projects that I’ve been absorbed to, but this, honestly, was apparently the best agreeable anthology that I’ve done aback the aboriginal Slipknot album,” he enthuses. “There was such a faculty of, ‘We’re accomplishing it together.’ I hadn’t acquainted annihilation like that for a absolutely continued time, man. Bodies abound apart, relationships become fractious… bodies stop affection anniversary added sometimes, in assertive bands, you know? But with this, it was absolutely different, because we were all accompany afore that. We aloof happened to all comedy together, and afresh we formed a bandage about that friendship, and it all absolutely galvanised it.
“This has absolutely fabricated me acknowledge authoritative music again, let’s put it that way.”
It has accomplished the point in our chat area Corey Taylor is jokingly assuming to rip his shirt open. Anytime the agog interviewee, the frontman tugs at his dejected top and re-enacts one of his favourite memories from recording CMFT. This action alike has a name: ‘The Angus Moment’.
It happened during the recording of Halfway Down, the full-length’s groovy, assault fifth clue and admiration to the Bon Scott era of AC/DC. Not abandoned was it the best “fun” song to put together, Corey would alike go as far as to approach guitar hero Angus Adolescent from aback in the day, artful what it would be like if he were onstage with the Aussie hard-rock legends.
“I would consistently act like I was demography my shirt off like Angus does in the average of the show,” air-conditioned Corey. “The absolute attempt was to accomplish abiding that we weren’t bedlam out loud, and you could aces it up in the mics! You can apprehend us all over the place, which is funny.”
‘The Angus Moment’ additionally acutely credibility to aloof how afflicted Corey was on CMFT by his (perhaps not broadly known) influences. The accompanist describes the almanac as his claimed “tip of the cap” to the abounding artists who accept fabricated him who he is, with the liner addendum alike advertisement some such inspirations: from Van Halen’s agrarian frontman David Lee Roth, to allegorical singer-songwriter Prince, to alt.metal titan and Faith No Added diva Mike Patton, to LA rapper Ice Cube, to punk-rock diva and guitarist Stiv Bators. It’s a delicate, affecting accepting that Corey affairs to abide in every abandoned anthology activity forward, too.
“It’s like a web, with all of these little strands advancing bottomward to my little point, and afresh my point affectionate of spreads it out,” he explains. “It’s me reminding bodies that our music does accept a history, and it’s a actual affluent history. And if we balloon that history aloof because we’re aggravating to carve out a alcove for ourselves, afresh we’re disrespecting the actual bodies who helped actualize this cast in the aboriginal place. And not abandoned this genre, but all of the genres that are referenced – and there are many.”
“Halfway Bottomward was our admiration to AC/DC”
Hear Corey bethink channeling Angus Adolescent by acute the button above
As able-bodied as actual advisedly alienated the added metal leanings of Slipknot and Stone Sour (“If you’re gonna do article solo-wise, get abroad from the baffled aisle that you’re accepted for…”), these genre-spanning influences are decidedly “much added demonstrative” of Corey’s adopted songwriting style.
“It’s attractive for the story, attractive for the big moments, and absolutely aloof aggravating to get bodies to sing along,” he notes. “That’s all I’ve anytime absolutely capital to do. And it seems like all my heroes accept either done it purposefully, or inadvertently.”
As able-bodied as absolutely aboveboard actuality the truest absorption of who he is as a musician, advantageous a abutting ear to CMFT will additionally accord admirers an abstraction of to what the adolescent Corey Taylor would absorb his canicule binge-listening: Mötley Crüe, Slade, Rose Tattoo, the Charlie Daniels Band, and – of advance – AC/DC.
“I feel like the actuality that I’ve done in the accomplished has never been apocalyptic of the bands that I grew up alert to,” he ponders. “I wasn’t able to absolutely abrasion my influences on my sleeve the way a lot of added bands accept been able to. And that’s not a bad thing; maybe I was aloof cat-and-mouse for this time to do it.”
Such a diffuse evolution aeon has resulted in what is a absolute but conspicuously adamant record. Yes, there’s a hell of a lot of rock’n’roll and adamantine bedrock to be delved into, but there’s additionally attenuate applesauce throughout The Maria Fire, hardcore jailbait (with a advantageous dosage of comedic charm) in the excellently-titled European Bout Bus Bathroom Song, and ’80s New York hip-hop in advance distinct CMFT Must Be Stopped, which appearance two of Corey’s above-mentioned collaborators, Kid Bookie and Tech N9ne. It’s additionally arranged with what the frontman playfully refers to as ‘junk food’ choruses, because they’re “so acceptable that they’re fattening; there’s gotta be amoroso in it somewhere!”
“All of those things were recorded with the exact aforementioned instruments and amps,” Corey says, proudly. “We’d change guitars out actuality and there, but it was all done the aforementioned way, and congenital from that foundation. And hopefully that’s about like a brainy nod to the actuality that all of these genres can alive calm if they’re done right.”
Indeed, ‘genre’ is an absorbing affair of chat with Corey. The artisan had advanced labelled avant-garde bedrock music “nutless” in a 2019 account with Kerrang!, and today amusingly complains about folk-rock that “sounds like a fucking Dove soap commercial”.
“It’s absolutely safe and fucking weak, and it feels like there’s no attitude,” he laments. “There’s annihilation that’s behind people’s sensibilities, and that’s what bedrock is declared to do sometimes. That’s not to say that there are aren’t acceptable fucking bands out there accomplishing it, but it aloof seems like the types of music that are absolutely accepting all the absorption are the safe bands, and I abhorrence annihilation safe.”
Though Corey doesn’t apprehend CMFT abandoned to change the cachet quo (“I’m not activity to accept that anthology is activity to agitate things up to the point area bodies are battling us”), he does appetite to admonish those of a added anxious disposition of one key message: “This isn’t absolutely an anti-‘genre is dead’ affectionate of vibe, and it’s accomplished that cast is dead, but bedrock is still fucking awesome, so get over yourselves.”
Ask Corey Taylor what he hopes bodies booty abroad from CMFT and his acknowledgment is aloof two words: “A smile.”
On top of revitalising his affection for authoritative music, Corey hopes to lift people’s alcohol – and not aloof because it’s what the apple assuredly needs appropriate now, but because this charismatic, communicable cast of rock’n’roll has acutely had the aforementioned aftereffect on his own psyche.
“I absolutely appetite bodies to accept to this anthology and go, ‘Fuck, that was a acceptable time,’” he beams. “I appetite bodies to accept to this anthology and go, ‘God dammit, I cannot delay to see these guys live.’ That, to me, is the best assurance that an anthology has absolutely worked: aback bodies will go, ‘God, can you brainstorm what this is activity to complete like aback we see it live?’ That’s the best acclaim you can really have.”
Nevertheless, he admits to actuality “a little terrified” aback it comes to admirers audition what he’s alms here; afterwards all, he’s acclimated to administration the accountability of fretfulness with his bandmates in Slipknot and Stone Sour.
“I was talking to my wife about this the added day – I was like, ‘Fuck! There’s cipher for me to adumbrate behind!’” he laughs. “It’s accessible to booty risks aback you accept the account of a absolute name – and by that, I beggarly the bands that I’ve been in for 20 years. But I additionally feel like I’ve becoming the appropriate to put article out there and bandy bodies for a bend – not abandoned with the things that I’ve done with both bands, but the bedfellow spots that I’ve done with several bands: everybody from Tonight Alive to Zakk Wylde to Tech N9ne. I mean, I’ve absolutely advance out, in a air-conditioned way. I’ve never cloistral myself to one bend of the genre; I’ve never accustomed myself to be corrective into a corner. And, I anticipate because of that, people’s minds are a lot added accessible aback they apprehend that I’m putting article out. They’re gonna appear into it with this mindset of, ‘Okay, I don’t apperceive what the fuck I’m about to apprehend – this should be interesting.’ I anticipate by accomplishing that, that absolutely sets the accent for your career.”
And ‘career’ is the absolute chat in this instance. With abundant absolute for a added two abandoned releases already, Corey looks blithely advanced to the actuality that his “future’s not set anymore”, and that activity “with the flow” ability aloof be the way to… well, go, aback it comes to his assignment life.
“I’m not gonna decay time actuality unhappy,” he asserts. “I’m gonna booty advantage of the actuality that I’m still around, and I still get to accomplish music. I’m absolutely gonna do it in a way area I can adore it.”
“I’ve absolutely gotten aback to my old self again”
Corey discusses what makes CMFT appropriate – bang the button above
After the well-publicised black that has bedeviled Corey for not aloof the accomplished few years, but for all-inclusive swathes of his absolute life, you couldn’t accusation him. It was there for all to apprehend on Slipknot’s 2019 LP We Are Not Your Kind, operating as a “purge” for the frontman to try to let his demons go.
“I anticipate that’s what’s so appropriate about [CMFT]: you can feel the absolute absolution of joy and happiness, and that affectionate of corybantic activity that comes with aloof actuality so fucking stoked you can’t angle it, you know?” he considers. “If I hadn’t done We Are Not Your Affectionate [first], it wouldn’t accept that affectionate of energy.”
Ultimately, CMFT is the altogether beneath austere ancillary of the bread that is so rarely played out aural Corey’s music. Sure, we’ve witnessed his abrupt alertness onstage, through books and on amusing media – but never afore has it been so arrant aural the ambience of an album. It will acquaint you a lot about his character.
“People accord me bits for actuality this babbling addle-brain – in interviews, and in absolute activity and whatnot,” he says. “But afresh I’m this actual aphotic artisan aback it comes to a lot of my music. And yet bodies are like, ‘Well, how can you be one and the other?’ I feel like this anthology fills in a bare there; it ties those two abandon together. You can’t accept black after the light; you can’t acquaintance joy unless you apperceive what absolute anguish feels like; you can’t apperceive that you’ve won unless you’ve lost… a lot.
“And that’s what this is: this is me advancing aback up to the apparent and realising that I’m in a absolutely acceptable fuckin’ place,” Corey concludes. “I feel like this is affectionate of the missing allotment of a puzzle.”
CMFT is out on October 2 via Roadrunner Records – get your archetype here.
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