Getting Bigger Camera Images, Finessing a Bigger Look, and Delivering in Time for Happy Hour
Mark Wilenkin is a DIT and Assimilate Scratch colorist whose contempo assignment includes spots for Cadillac (see a anatomy from the :60 “Rain,” above), Philip Morris International, and PNC Bank — frequently in accord with cinematographer and sometimes administrator Paul Cameron. Allocation raw files from ARRI and Sony cameras, Wilenkin uses ACES (short for Academy Blush Encoding Specification) whenever he can. We asked him to counterbalance in on the process, answer how it works and why he prefers it to accustomed LUT-based workflows.
Q: You brand as generally as accessible in ACES. What is it that you like so abundant about it?
A: ACES is a solid foundation for cinematographers and colorists to alpha their abject brand back alive from ARRI or Sony raw files. It gives a far better-looking angel from the get-go on raw actual than the LUT-based blush workflows we’ve been acclimated to. ACES automatically adjusts the raw abstracts of the files, based on the blush temperature and ISO ambience of the shot, to the ambition deliverable blush space. Alive with ARRIRAW files has the added advantage that one can acclimatize blush temperature and ISO value, clashing the F55, which bakes in the ISO and blush temperature set at the time of recording. The accessible account is it allows you to time the agenda bath, so you can actually accomplishment or acumen the attending as required. Ultimately, the after-effects are added film-like, with greater density, richer blacks, bigger blush separation, and lower angel noise. You can use ACES with ProRes/Log C material, although you would accept to apperceive from assembly addendum what the ISO and blush temperatures were, as the metadata does not appear with the aboriginal footage.
Q: Does it amount which camera you’re cutting with? Or which affectation you’re using?
More and added manufacturers are now acknowledging ACES aural their cameras, including the Sony F65 and F55 and ARRI Alexa, and via their SDKs, developers can absorb ACES into their allocation software. Other manufacturers action an angel accessory transform, or IDT, that you can download alone to catechumen the raw actual into the ACES blush space. It doesn’t amount which affectation you are using, so continued as it’s accurately calibrated and your ambition blush space, such as P3 or Rec. 709, can be displayed accurately. Dolby and Eizo accept some abundant monitors, and there are new 4K displays advancing on the bazaar from Panasonic that attending actually awesome. And whatever happened to Sony’s FED monitors?
Q: What do you like about application Scratch with ACES?
ACES has been actual able-bodied chip aural Scratch, and it’s actually accessible to use. The acceleration and affection of Scratch’s debayers are impressive, too. Just zoom in on a pixel to see [Assimilate VP of Engineering] Gerk Huisma’s FAST algorithm, and you’ll apprehension beneath noise. Scratch automatically knows the ISO and blush temperature of the raw antecedent actual and lets me adjudge the ambition profile. In the case of ARRIRAW, I can bound actualize altered versions of a attempt by alteration the ISO or color-temperature settings and rapidly access at the foundation of the grade. I can again administer non-recursive grades or use a altered acknowledgment of the attempt to assure the highlights, enhance the capacity in the atramentous or adumbration areas, and archetype and adhesive grades amid shots. The after-effects are instantly there on the calibrated Grade-A monitor. As for the beat deliverables and data-archive pipeline, I am able to bear transcoded synced audio dailies with assorted accessory blush corrections while abetment up to the adept HDD and beat copy. I can additionally artefact LTO-5 tapes on the fly via the InfiniBand network, usually aural an hour or so afterwards “martini” is called.
Q: Which projects accept you graded in ACES?
I’ve been application ACES back February for a array of on-set and final allocation on bartering spots for Cadillac, VW, Volvo, PNC Bank, Lexus, and BMW. It’s a amount of preference, and one that is accessible to debate, but I far adopt how ACES bound the angel on Alexa and Sony footage over application a LUT-based workflow. It ability be adapted to acknowledgment that, in episodics, the accessible trend of above a raw workflow in alternative of a less-expensive Log C ProRes abstracts activity can accept its downsides, too, abnormally if the assembly is application assorted cameras. It can additionally assignment out to be added big-ticket to the project’s post-production account if the producers are anxious about quality. Until a new camera system, viewfinder, and affectation technology are able to action added accustomed attractive images affiliated to film, I’ll be befitting to this approved and activated formula. And the after-effects are fantastic.
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